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WWW.MY-SUBS.CO

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And now, a short introduction
from the producers' legal representative,

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Mr Abe Appenheimer.

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Hello, and welcome to this documentary

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containing new and exclusive interviews

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with the five surviving members
of Monty Python.

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The producers wish to make it clear
that any opinions expressed herein

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are those of the individuals
and hold no truth whatsoever.

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Pursuant, therefore, to clause 4.6

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of the Broadcasting, Video, Television Act,
1989,

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subsection 4, 3 and 2, clause...

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..subject to clause 4.123,

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no viewer or watcher
may copy, repeat, impersonate, mime,

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either contextually
or noncontextually,

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any material whatsoever
in any public place,

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such as a street, pub, club, hotel, oil rig,
Baptist church...

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Python

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The documentary of Python

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lt's all about Mo...o-o-o-onty Python

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A no-holds-barred documentary

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That's the entirely the truth...ish!

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lt's the story of Python

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Here comes yet another one

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Similar but not quite the same
as the last one

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A documentary of the team called Python

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Here is a preview of some programmes
you'll see shortly on BBC Television.

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A meeting was set up,
we went in to see Michael Mills,

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who was the Head of Light Entertainment.

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l always liked Michael,
but it was a very strange meeting,

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cos everyone who went to see them
in those days wore suits.

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And we only wore jeans.
Gray and l were in sports jackets,

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and the other guys were being so bohemian
in black leather jackets.

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And he was very nice, and he said,
''What do you want to do?''

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We said, ''We want to do a funny show.''
He said...

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''What's the show going to be about?''
We said, ''We don't know, really.''

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He said, ''Well, now, what about film,
are you going to use a lot of film?''

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We said, ''Oh, fi...

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''Film. Are we going to use film?
Yeah, we'll probably use some film.''

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Then he said, ''Well, is it going
to have any music in it?''

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''No, no, no.''

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''ls it gonna have guest stars?''
''We haven't thought about that.''

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He said, ''Well,
what's it going to be called?''

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''Well, we haven't got a title.''

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lt was the worst interview that anyone
or any group has ever done.

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Then they all go looking at each other
and saying, ''Well...''

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''l'll give you 13 shows, but that's all!''

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Just like... That was great.

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So, odd sort of double kind of confidence
and no confidence.

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Those were the good executive-free
days of the BBC.

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Now, that would
only have happened at that time,

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that he would take such a huge risk

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on a completely unknown group.

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Because l was the only one who was known
as a performer at that time

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because l'd been in The Frost Report.

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All the others had just done,
in quotes, ''kids' television''.

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The BBC was like the RAF
in those days.

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So people with pipes in the bar, saying,
''Well, time to go to the bar.

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''Let's not waste time
on these programme things.''

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The heads of the BBC,
the heads of different departments,

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couldn't wait for five o'clock
to get to the bar and get pissed.

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And they let you get on with things.

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They left it to individual producers
and directors to get on with it.

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They didn't read our first scripts.

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We were not interfered with,
and that doesn't happen now.

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The BBC, particularly now,
almost all television,

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there's so many executives,
the pyramid has become inverted.

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Before, it was a few people
at the top and a lot of talent.

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Now it's a little bit of talent
and a lot of people sitting on top

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making important decisions
about what goes or doesn't go.

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Because we'd been obeying conventions
that we didn't really agree with,

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for a very long period of time,

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it was really like someone
opening the gate to a field full of flowers,

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none of which had been picked.

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And we sort of ran into the field
and it was so easy to pick them.

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At the beginning of Python,

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we were trying to work out
what the format was, how to do it.

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l had done this one cartoon
that Terry really liked,

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it was very stream of consciousness
as a way of doing it.

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Milligan was doing
with his Q series...

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He was breaking all the rules.
l mean, there were no rules,

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except there was a structure
you could never work out.

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lt was only the structure of his brain,
l think, is what it was.

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l thought, ''This is really free,
what they're doing.

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''They're commenting on themselves,
stepping out of character, doing anything.''

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l thought that was fantastic.

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l remember Terry Jones and l talking
on the phone and saying,

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''Did you see Spike's show?''

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Terry said, ''l thought that's
what we were going to do.''

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l said, ''l know, l mean,
he's so far out ahead of the bunch.''

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And that enabled us, in a sense,
you know...

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What do they say? ''Dwarves
standing on the shoulders of giants.''

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..to go further
than we could have without him.

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Spike Milligan
was very funny on the subject,

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because one day he would say,

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''Those brave boys are flying the flag.''

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The next day he'd say,
''Those bastards are ripping me off.''

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This is a doctor sketch.
What do you want?

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Doctor, do you have anything
for amnesia?

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A what?

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For people with bad memories,
here it is again.

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Here's what, again?

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Spike had done Q5 which had been
very silly, very off the wall.

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Your sketch has ended
and there is a cheque in the post.

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Another sketch will follow
almost immediately.

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He used to do sketches
when the actor was doing the lines

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a caption would come up:

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''John Bluthal,
take-home pay 16 pounds, 43 pence.''

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''Not weekends'' and all that,
you know.

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So, subversive stuff was being done.

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Terry would say,
''Let's do it like my cartoons

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''where we don't need punch lines.''

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Cos l'd been so aware...

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Pete and Dud
were doing their series.

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They'd do these brilliant sketches
great character stuff, great lines.

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Then they'd have to end
with a punch line,

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and it was like... damp squib.
lt wasn't really very good.

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So, let's get rid of the weak bits.
Just chop them out.

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And that's where
it seemed to work so well.

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We'd get to a point in the sketch and think,
''lt doesn't work beyond that.''

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OK. l take over at that point
and try to get us to the next thing.

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And it just freed us up.

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OK. All clear.

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Coming up with a title for a show

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is more difficult
than writing or performing a show

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in the same way that coming up
with an album title

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is more difficult than recording the album.

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Groups are well known
for spending months

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trying to come up with a decent title

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after they've recorded
a perfectly good album.

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And it's the same with comedy shows.

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Well, the BBC
would never accept any titles we did.

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Each of the first four shows
has different titles:

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''Owl-stretching time.
A Horse, A Spoon and a Basin.

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''Bun Wackett
Buzzard Stubble and Boot.''

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My favourite one is, l think,
one of Jones's:

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''You Can't Call A Show Cornflakes.''

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We would get very silly
and giggle a lot

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and then, in the morning, telephone
each other, shamefaced, and say,

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''No. No. Forget it. Forget it.''

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They referred to it as Barry Took's
Flying Circus in their contracts.

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Barry Took was responsible for it.

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l think Michael Palin said it should be
Gwen Dibley's Flying Circus.

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Somebody in his village
was called Gwen Dibley,

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and how wonderful for her
to see she had a show.

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That seemed good.

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Flying Circus had a nice ring to it.

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Then, we just sat around
throwing names around.

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l can't remember which came first,
Python or Monty.

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l said Monty

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because there was a chap in our pub
in Mappleborough Green called Monty,

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had a little bow tie,
one of those bar types.

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People said, ''Has Monty been in?''
''Has Monty come in?''

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''Monty'' was clearly some shabby
talent agent on Shaftesbury Avenue.

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And ''Python'' was as snaky
and slimy as you'd hope.

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On this particular occasion, we giggled
and giggled and giggled,

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and the next morning,
we didn't ring around,

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we still liked it.

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Monty Python's Flying Circus.

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This was us.
Would people like us or hate us?

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Were we getting the balance right?

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l still remember
as Gray and Terry Jones

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did that very first
of all our sketches,

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which was about
the sheep who could fly.

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Good afternoon.

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Afternoon.

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Lovely day, isn't it?

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l remember Michael and l
had had a conversation

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in the dressing room
just beforehand.

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l said to him, ''Do you realise,
we could be the first people in history

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''to do a 30-minute comedy show
to complete silence?''

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He said,
''l was having the same thought.''

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We just didn't know how funny it was.
We thought it was funny.

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So, we really didn't know whether it was
going to work at all for anyone.

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lt's my belief that these sheep

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are labouring under the misapprehension
that they're birds.

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Observe their behaviour.

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Take for a start the sheep's tendency

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to hop about the field
on their back legs.

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Now witness their attempts
to fly from tree to tree.

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Notice they do not so much fly
as plummet.

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Those early shows
are actually very challenging.

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They do drop sheep suddenly
in the middle of nowhere,

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for no reason at all.

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They're actually quite
situationist shows.

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Some people quite close to us
obviously said, ''Very good'',

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then rushed off.

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There weren't that many people
who came to the bar afterwards,

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and it had been quiet in the audience,
that's how l remember it.

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There were stories of coach loads
of dear old pensioners,

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coming and thinking it was a circus.

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That clip of the little old ladies,
that's how our first audience was.

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They were people who want to go and see
a nice Saturday night variety show.

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l remember after the first recording
thinking it hadn't worked.

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lt was only by about
show four or five,

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that we started getting feedback.

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That was in the form of letters
to the BBC from school kids.

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There's a good measure in life
as to what is culturally important,

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and that is, those shows
that divide the generations.

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lf older people start tut-tutting,

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and young people
are having a wonderful time,

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you probably know
you've hit on something interesting.

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l first discovered Monty Python
through people at my junior school

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who were watching it.

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Everyone else was talking about
this mad programme.

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Some people had seen Monty Python
and some hadn't.

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lf you hadn't seen Monty Python,

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you were just completely left utterly baffled
about what was going on.

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Good evening.

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For my parents,

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l think they didn't get Monty Python at all.

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l think that they saw it
as slightly subversive,

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which in many ways it was.

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But l think if you're lndians
and you've gone through partition,

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and you've left lndia for a better life,

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and come to Britain
which ran an empire,

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was head of the Commonwealth,
and everyone spoke English,

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you didn't want your kid
to be influenced

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by people who dress up as women.

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That's not why you travelled
in the first place.

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You travelled so your kid
has a good education,

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and becomes a doctor, or a lawyer,
or an engineer, something like that.

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Not somebody who is
quite patently a bloke,

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dressed as a woman with a high voice.

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- Hello, Marge!
- Hello, Janet. How are you, love?

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Fancy seeing you!
How is little Ralph?

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Oh, don't ask me! He's been
nothing but trouble all morning.

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Stop it, Ralph! Stop it!

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Same as my Kevin.
Nothing but trouble.

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Leave it alone!

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He's just been in
the Florentine room

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and smeared tomato ketchup
all over Raphael's baby Jesus.

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Put that Baroque masterpiece down!

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So, l think they found
it slightly disturbing,

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that l'd be sitting there going,
''This is really funny!''

234
00:14:03,567 --> 00:14:05,637
And they'd be going,
''This isn't funny.

235
00:14:05,687 --> 00:14:08,485
''No, no. Comedy is Dickens.
Dickens is comedy.''

236
00:14:08,527 --> 00:14:10,518
l was exposed to it at a young age,

237
00:14:10,567 --> 00:14:13,400
and like a form of inoculation,

238
00:14:13,447 --> 00:14:16,359
the virus of it grew in me as a child.

239
00:14:16,407 --> 00:14:20,082
l remember shouting at my family to come,
''The programme's coming on.

240
00:14:20,127 --> 00:14:23,244
''lt's starting. Hurry up.
''You'll miss it! You'll miss it!''

241
00:14:23,287 --> 00:14:24,720
You can't record it.

242
00:14:24,767 --> 00:14:28,282
''Tell Dad to finish. Come down.
We have to watch it right now.''

243
00:14:28,327 --> 00:14:30,966
Before l had a right to watch programmes
like that.

244
00:14:31,007 --> 00:14:32,406
lt's quite sophisticated,

245
00:14:32,447 --> 00:14:37,362
but as a kid you can appreciate
the silliness of it and the childishness,

246
00:14:37,407 --> 00:14:40,126
''Oh, yes!'' and people dressing up.
That's all right.

247
00:14:40,167 --> 00:14:43,284
- Hello, Mrs Thing.
- Hello, Mrs Entity.

248
00:14:43,327 --> 00:14:45,238
How are you, then?

249
00:14:45,287 --> 00:14:47,482
- Oh, l have had a morning!
- Busy?

250
00:14:47,527 --> 00:14:52,123
Busy? Huh! l got up at five o'clock,
l made myself a cup of tea,

251
00:14:52,167 --> 00:14:53,680
l looked out of the window,

252
00:14:53,727 --> 00:14:57,197
well, by then l was so worn out,
l had to have a sit-down.

253
00:14:57,247 --> 00:14:59,238
We'd talk about it, relive it and say,

254
00:14:59,287 --> 00:15:02,802
''What was your favourite moment?''
Because you couldn't replay it.

255
00:15:02,847 --> 00:15:04,565
What l would do, there were no VCRs,

256
00:15:04,607 --> 00:15:07,167
my mum might say,
''Did you see that?''

257
00:15:07,207 --> 00:15:11,439
or her sister would say,
''Did you see that programme?''

258
00:15:11,487 --> 00:15:13,239
And you couldn't replay it.

259
00:15:13,287 --> 00:15:17,200
They'd said to me,
''Steve, do what was on the show last night.''

260
00:15:17,247 --> 00:15:20,125
So l would just be a video recorder.

261
00:15:20,167 --> 00:15:24,319
l would just try to replicate
what l had seen.

262
00:15:24,367 --> 00:15:27,165
l would get angry
if l saw people trying to describe

263
00:15:27,207 --> 00:15:29,767
what was in the show,
and getting it wrong.

264
00:15:29,807 --> 00:15:33,880
- l've been here for seven hours!
- You must be exhausted!

265
00:15:33,927 --> 00:15:35,121
Have you been shopping?

266
00:15:35,167 --> 00:15:37,761
- No. l've been shopping.
- That's funny.

267
00:15:37,807 --> 00:15:40,719
l'm worn out.
l've been shopping for six hours.

268
00:15:40,767 --> 00:15:43,122
- What have you bought, then?
- Nothing.

269
00:15:43,167 --> 00:15:45,237
Nothing at all.
A complete waste of time.

270
00:15:45,287 --> 00:15:46,276
Wicked, isn't it?

271
00:15:46,327 --> 00:15:49,080
lt will be worse when we join
the Common Market.

272
00:15:49,127 --> 00:15:52,437
That nice Mr Heath
would never allow that.

273
00:15:52,487 --> 00:15:54,079
lt's funny he never married.

274
00:15:54,127 --> 00:15:57,244
- He's a bachelor.
- That would explain it.

275
00:15:57,287 --> 00:16:00,962
l think as the first series went on

276
00:16:01,007 --> 00:16:04,682
we realised
that there were a lot of people

277
00:16:04,727 --> 00:16:08,117
who were equivocal at the start

278
00:16:08,167 --> 00:16:10,476
who were really beginning to get it.

279
00:16:10,527 --> 00:16:14,998
l used to play football in Hyde Park,
with some team.

280
00:16:15,047 --> 00:16:17,117
Every Monday...
The first week was like,

281
00:16:17,167 --> 00:16:19,397
''That was a weird fucking show
you did last night.''

282
00:16:19,447 --> 00:16:22,803
The second week, ''That was a really
strange show you did last night.''

283
00:16:22,847 --> 00:16:26,317
Then he said, ''l like that weird show
you're doing, now.''

284
00:16:26,367 --> 00:16:28,005
lt grew on people.

285
00:16:28,047 --> 00:16:33,599
Years later, the one sketch,
it's one of my favourite Python sketches,

286
00:16:33,647 --> 00:16:36,684
that mum suddenly
burst out laughing at,

287
00:16:36,727 --> 00:16:38,285
was the Fish Slapping Dance.

288
00:16:49,087 --> 00:16:52,636
And you kind of go,
the Fish Slapping Dance talks to people

289
00:16:52,687 --> 00:16:56,236
across generations
and across the cultural divide.

290
00:17:06,527 --> 00:17:11,237
That's what they should do,
they should parachute in

291
00:17:11,287 --> 00:17:16,839
little mpegs of the Fish Slapping Dance
into war-torn areas.

292
00:17:16,887 --> 00:17:19,242
lnto lraq, Afghanistan.

293
00:17:19,287 --> 00:17:20,686
Palestine.

294
00:17:20,727 --> 00:17:22,797
The Palestine issue
could be resolved

295
00:17:22,847 --> 00:17:26,396
by a bunch of people getting together
and watching the Fish Slapping Dance.

296
00:17:31,927 --> 00:17:36,955
Most of the comedy l had enjoyed,
at least it understood the rules of comedy,

297
00:17:37,007 --> 00:17:40,044
you know, that you set up a joke
and there was a punch line.

298
00:17:40,087 --> 00:17:42,282
This just seemed bizarre to me,

299
00:17:42,327 --> 00:17:44,363
l didn't understand
what was going on.

300
00:17:44,407 --> 00:17:47,524
lt was making me laugh
and l didn't understand why.

301
00:17:47,567 --> 00:17:50,684
lt was completely baffling to me.
Genuinely perplexed.

302
00:17:50,727 --> 00:17:52,683
What they did, with their subversion

303
00:17:52,727 --> 00:17:55,958
of the typical grammar
of the comedy that preceded them,

304
00:17:56,007 --> 00:18:01,035
is they overrode
the tedious white noise

305
00:18:01,087 --> 00:18:02,805
of end-of-the-pier humour.

306
00:18:02,847 --> 00:18:06,999
When a joke is delivered in that fashion,
it's no longer interesting.

307
00:18:07,047 --> 00:18:12,644
Sometimes they were...
They can't be bothered to finish a sketch.

308
00:18:12,687 --> 00:18:15,326
So they would have
Graham Chapman come on and go,

309
00:18:15,367 --> 00:18:16,800
''Stop it. This is silly!''

310
00:18:16,847 --> 00:18:20,476
They broke down that grammar,
the way you receive information.

311
00:18:20,527 --> 00:18:23,439
So, it's not like they
couldn't think of a punch line,

312
00:18:23,487 --> 00:18:25,205
it was just that it was boring!

313
00:18:26,607 --> 00:18:30,316
Yes, you know, it's a man's life
in England's mountains green.

314
00:18:30,367 --> 00:18:33,359
Right, l heard that.
l'm going to stop this sketch now.

315
00:18:33,407 --> 00:18:36,001
lf there's any more of this,
l'll stop the whole programme.

316
00:18:36,047 --> 00:18:38,083
lt was supposed to be about teeth.

317
00:18:38,127 --> 00:18:40,038
Do something about teeth. Go on.

318
00:18:41,327 --> 00:18:43,636
What about my rustic monologue?

319
00:18:44,687 --> 00:18:47,440
l'm not sleeping
with that producer again.

320
00:18:47,487 --> 00:18:51,878
What they did,
like all true innovative geniuses,

321
00:18:51,927 --> 00:18:57,479
is that they ignore the predilections of their
immediate antecedents,

322
00:18:57,527 --> 00:18:59,757
like, comedy doesn't
have to be like that,

323
00:18:59,807 --> 00:19:02,526
it doesn't have to be
so prescriptive and formulaic.

324
00:19:07,327 --> 00:19:09,477
Now, where does it go?

325
00:19:11,247 --> 00:19:12,919
lt's... No, no.

326
00:19:17,847 --> 00:19:19,166
Bloody hell.

327
00:19:29,967 --> 00:19:34,643
There hadn't been a comedy show
that had wonderful animation,

328
00:19:34,687 --> 00:19:35,881
not to that extent,

329
00:19:35,927 --> 00:19:39,283
so you knew straight away you were
watching something different.

330
00:19:39,327 --> 00:19:43,320
lt wasn't going to be quite
the sort of thing you'd seen before.

331
00:19:52,087 --> 00:19:57,207
Terry's animation
was hugely important to Python,

332
00:19:57,247 --> 00:20:01,957
because just the animation itself
was so well executed.

333
00:20:02,007 --> 00:20:04,521
lt just seemed to get the timing right,
the humour was right,

334
00:20:04,567 --> 00:20:07,684
this kind of absurdity,
the surrealism of it was all right.

335
00:20:07,727 --> 00:20:11,640
What he was doing was extraordinary.
He didn't know what he was doing,

336
00:20:11,687 --> 00:20:15,726
but his collaging of art
made a whole new art form.

337
00:20:15,767 --> 00:20:20,966
lt also sort of, you know,
plastered over a lot of cracks in shows,

338
00:20:21,007 --> 00:20:23,965
where sketches didn't end
in the right place or, you know,

339
00:20:24,007 --> 00:20:25,884
didn't even have an ending.

340
00:20:25,927 --> 00:20:29,317
For he's a jolly good fellow

341
00:20:29,367 --> 00:20:33,360
Which nobody can deny...

342
00:20:47,527 --> 00:20:50,405
lt's no good, Spider,
you can't escape that easily.

343
00:20:50,447 --> 00:20:51,960
We're coming in after you.

344
00:20:52,007 --> 00:20:54,475
He would explore
his own subconscious.

345
00:20:54,527 --> 00:20:57,963
There was always something
and he was always going into stomachs.

346
00:20:58,007 --> 00:21:00,441
All right, we'll check the spleen.

347
00:21:02,887 --> 00:21:07,403
So much of the show is still basic,
just traditional sketch format,

348
00:21:07,447 --> 00:21:12,202
but by breaking it up as we did,
it seemed to be new, l think,

349
00:21:12,247 --> 00:21:16,160
it seemed to be fresh
and it also avoided embarrassing bits.

350
00:21:16,207 --> 00:21:19,279
lt can go from one sketch
into another sketch,

351
00:21:19,327 --> 00:21:22,046
and it doesn't feel like
this is a new sketch.

352
00:21:22,087 --> 00:21:24,999
You kind of just accept,
you just go along with the ride.

353
00:21:25,047 --> 00:21:29,563
l think it in some ways encapsulated
how the world was changing.

354
00:21:29,607 --> 00:21:33,043
Up until then, Spam had seemed
like a perfectly normal,

355
00:21:33,087 --> 00:21:36,523
wholesome sort of food substance.

356
00:21:36,567 --> 00:21:39,525
- What you got, then?
- Well, there's egg and bacon.

357
00:21:39,567 --> 00:21:41,717
Egg, sausage and bacon.

358
00:21:41,767 --> 00:21:43,405
Egg and Spam.

359
00:21:43,447 --> 00:21:45,085
Egg, bacon and Spam.

360
00:21:45,127 --> 00:21:48,005
Egg, bacon, sausage and Spam.

361
00:21:48,047 --> 00:21:49,958
Spam, bacon, sausage and Spam.

362
00:21:50,007 --> 00:21:52,726
Spam eggs, Spam Spam,
bacon and Spam.

363
00:21:52,767 --> 00:21:55,964
Spam, Spam, Spam egg and Spam.

364
00:21:56,007 --> 00:21:58,999
Spam, Spam, Spam,
Spam, Spam, Spam,

365
00:21:59,047 --> 00:22:02,278
baked beans, Spam,
Spam, Spam and Spam.

366
00:22:02,327 --> 00:22:05,399
Or lobster thermidor aux crevettes
with a mornay sauce,

367
00:22:05,447 --> 00:22:08,996
garnished with truffle pate, brandy
and fried egg on top and Spam.

368
00:22:09,047 --> 00:22:13,438
The Spam sketch
was actually something l wrote, really.

369
00:22:13,487 --> 00:22:15,762
Have you got anything
without Spam in it?

370
00:22:15,807 --> 00:22:19,880
Well, Spam egg, sausage and Spam
has not got much Spam in it.

371
00:22:19,927 --> 00:22:21,326
l don't want any Spam.

372
00:22:21,367 --> 00:22:23,756
Why can't she have egg,
bacon, Spam and sausage?

373
00:22:23,807 --> 00:22:24,922
That's got Spam in it.

374
00:22:24,967 --> 00:22:27,242
Not as much as Spam, egg,
sausage and Spam.

375
00:22:27,287 --> 00:22:32,680
Look, could l have egg, bacon,
Spam and sausage without the Spam?

376
00:22:33,647 --> 00:22:36,605
lt's like one of those moments
when you write something,

377
00:22:36,647 --> 00:22:38,797
and, you know, is this funny?

378
00:22:38,847 --> 00:22:41,156
l remember reading it to Mike
and Mike saying,

379
00:22:41,207 --> 00:22:43,243
''lt's all right. lt's quite funny.''

380
00:22:43,287 --> 00:22:47,917
Then l think we put in bits about
the Vikings and things like that.

381
00:22:47,967 --> 00:22:49,923
l wanted to put those in.

382
00:22:49,967 --> 00:22:53,277
Spam, Spam, Spam, Spam,
Spam, Spam, Spam, Spam

383
00:22:53,327 --> 00:22:57,286
Lovely Spam, wonderful Spam!

384
00:22:57,327 --> 00:22:59,682
Shut up! Shut up!

385
00:22:59,727 --> 00:23:02,400
Shut up!
Shut up!

386
00:23:02,447 --> 00:23:07,567
We read it out.
l think Mike read it out in the group session,

387
00:23:08,607 --> 00:23:13,635
and John and Graham said that
they'd take it away and rework it.

388
00:23:13,687 --> 00:23:16,724
And so John and Graham rewrote it,

389
00:23:16,767 --> 00:23:21,079
and Mike and l felt
they'd missed the point.

390
00:23:21,127 --> 00:23:23,846
l don't know what it was,
they'd missed the rhythm,

391
00:23:23,887 --> 00:23:25,718
the whole thing is a rhythm joke.

392
00:23:25,767 --> 00:23:27,564
lt's just like, it's just rhythms.

393
00:23:28,567 --> 00:23:32,446
And so, we absolutely,
without saying anything to them,

394
00:23:32,487 --> 00:23:36,924
we just substituted our original sketch
in the final shooting script.

395
00:23:36,967 --> 00:23:38,366
And that's what we did.

396
00:23:38,407 --> 00:23:40,477
l don't like Spam!

397
00:23:40,527 --> 00:23:43,325
Don't make a fuss, dear.
l'll have your Spam. l love it.

398
00:23:43,367 --> 00:23:46,723
With the Pythons,
there is a lot of satirical stuff,

399
00:23:46,767 --> 00:23:52,478
but there is a thing
about a curse on all your houses.

400
00:23:52,527 --> 00:23:55,678
lt doesn't shut anyone out.
lt's very inclusive.

401
00:23:55,727 --> 00:23:59,322
lf you get it, it doesn't really matter
where you've come from.

402
00:23:59,367 --> 00:24:02,279
lt doesn't matter
what kind of day you've had,

403
00:24:02,327 --> 00:24:05,364
your ethnic background, your age,
or anything like that.

404
00:24:05,407 --> 00:24:09,116
They would take the piss out of
a working-class guy.

405
00:24:09,167 --> 00:24:10,919
You know, the Gumby...

406
00:24:10,967 --> 00:24:16,837
l would put a tax on all people

407
00:24:16,887 --> 00:24:19,447
who stand in water.

408
00:24:26,647 --> 00:24:29,002
..and an upper-class guy...

409
00:24:29,047 --> 00:24:33,359
l would tax the nude in my bed.

410
00:24:33,407 --> 00:24:35,921
No. Not tax.

411
00:24:35,967 --> 00:24:36,956
What is the word?

412
00:24:38,447 --> 00:24:42,645
..and, you know, women in the hairdressers
and God knows what.

413
00:24:42,687 --> 00:24:45,440
You know, so everybody was fair game.

414
00:24:45,487 --> 00:24:48,285
That's the great thing
about absurd and surreal comedy,

415
00:24:48,327 --> 00:24:51,399
is that, even a lot of Python stuff
is based on word play,

416
00:24:51,447 --> 00:24:56,362
a lot of it is based on literary references
and stuff like that.

417
00:24:56,407 --> 00:24:58,159
lt's still absurd.

418
00:24:58,207 --> 00:25:02,166
l suddenly felt that
l kind of understood this world.

419
00:25:02,207 --> 00:25:06,598
But, also, then it became
a sort of currency within which

420
00:25:06,647 --> 00:25:10,242
you connected with other people,
because other people got it, as well.

421
00:25:10,287 --> 00:25:12,721
That became your community.

422
00:25:12,767 --> 00:25:15,281
You didn't define
your community by your ethnicity,

423
00:25:15,327 --> 00:25:16,726
or by where you lived.

424
00:25:16,767 --> 00:25:20,726
Suddenly, there was
a comedy ethnicity,

425
00:25:20,767 --> 00:25:22,803
which was much more interesting.

426
00:25:22,847 --> 00:25:26,396
lt also made you feel a bit superior,
because you got all the references.

427
00:25:26,447 --> 00:25:28,563
You knew who Proust was.

428
00:25:28,607 --> 00:25:32,236
And then you got beaten up by the kids
who didn't know who Proust was.

429
00:25:32,287 --> 00:25:34,562
Proust in his first book
wrote about, wrote about

430
00:25:34,607 --> 00:25:36,837
Proust in his first book wrote about,
he wrote about

431
00:25:36,887 --> 00:25:38,957
Proust in his first book,
he wrote about, he wrote about

432
00:25:39,007 --> 00:25:41,043
He wrote about, he wrote about,
he wrote about, he wrote about

433
00:25:41,087 --> 00:25:42,679
He wrote about, he wrote about

434
00:25:42,727 --> 00:25:44,319
lt's a typical Python thing.

435
00:25:44,367 --> 00:25:47,518
lt pretends to be intellectual, but isn't.
Nobody's fucking read Proust!

436
00:25:47,567 --> 00:25:51,082
But a Summarize Proust competition
sounds very intellectual.

437
00:25:51,127 --> 00:25:53,243
lt isn't, because nobody's read
the fucking stuff.

438
00:25:53,287 --> 00:25:55,721
Well, ladies and gentlemen.

439
00:25:55,767 --> 00:25:59,646
l don't think any of our contestants
this evening have succeeded

440
00:25:59,687 --> 00:26:03,441
in encapsulating the intricacies
of Proust's masterwork,

441
00:26:03,487 --> 00:26:06,559
so l'm going to award
the first prize this evening

442
00:26:06,607 --> 00:26:08,563
to the girl with the biggest tits.

443
00:26:13,327 --> 00:26:17,559
What l loved about Monty Python
is they would not compromise.

444
00:26:17,607 --> 00:26:21,646
And l would hear sketches
and laugh at things,

445
00:26:21,687 --> 00:26:24,360
and it's only... as a child,

446
00:26:24,407 --> 00:26:27,240
and l wouldn't understand
these references often.

447
00:26:27,287 --> 00:26:30,882
There's stuff that l know,
that l only know because of like,

448
00:26:30,927 --> 00:26:32,645
because l would have seen it in...

449
00:26:32,687 --> 00:26:35,121
l wouldn't have known
that Beethoven was deaf

450
00:26:35,167 --> 00:26:37,761
but for a Morrissey album
and a Monty Python sketch.

451
00:26:37,807 --> 00:26:43,723
l didn't know who Reginald Maudling was,
you know. A forgotten politician.

452
00:26:43,767 --> 00:26:45,439
A lot of my education,

453
00:26:45,487 --> 00:26:48,445
and this is important
if you've been state educated,

454
00:26:48,487 --> 00:26:52,275
is received by proxy from programmes
like Python and Blackadder.

455
00:26:52,327 --> 00:26:54,841
That's where l learned
what those things mean.

456
00:26:54,887 --> 00:26:59,597
La Fontaine, l mean, l didn't know,
l had no idea what that meant,

457
00:26:59,647 --> 00:27:02,207
but these were funny words
that Monty Python used,

458
00:27:02,247 --> 00:27:05,045
so it kind of worked in a rhythmic way.

459
00:27:05,087 --> 00:27:07,999
There's was nothing supercilious
or haughty about...

460
00:27:08,047 --> 00:27:10,481
''Oh, God, we know
who Wittgenstein is.''

461
00:27:10,527 --> 00:27:14,839
lt's like, there's Wittgenstein's mum
and look at his tits.

462
00:27:14,887 --> 00:27:17,720
Like, sort of, it was never overtly...

463
00:27:17,767 --> 00:27:20,440
like you don't notice
that you're learning stuff.

464
00:27:20,487 --> 00:27:22,637
And that's how education should work.

465
00:27:22,687 --> 00:27:25,645
ln retrospect,
had l said to my parents at any point

466
00:27:25,687 --> 00:27:28,076
while they were saying,
''Turn this rubbish off.

467
00:27:28,127 --> 00:27:30,436
''Why are you watching these people?
lt's a man.

468
00:27:30,487 --> 00:27:33,001
''lt's patently a man
and he's dressed as a woman.''

469
00:27:33,047 --> 00:27:37,040
lf l'd said, ''He went to Oxford.''
They'd go, ''Really? lt's very good.

470
00:27:37,087 --> 00:27:39,237
''Be like him.
Why don't you wear a dress?''

471
00:27:45,647 --> 00:27:46,762
As you get older,

472
00:27:46,807 --> 00:27:51,278
you start to see traces of the fact
that they are highly educated men

473
00:27:51,327 --> 00:27:55,115
with brilliant vocabularies
and dangerous, subversive ideas.

474
00:27:55,167 --> 00:28:00,321
All the Pythons
are essentially middle class.

475
00:28:00,367 --> 00:28:03,962
They are the sons
of professional people.

476
00:28:04,007 --> 00:28:06,999
And what their revolt is, really,

477
00:28:07,047 --> 00:28:10,278
is against their parents
and their generation.

478
00:28:10,327 --> 00:28:15,162
l don't think anybody really took
Flying Circus to be as filthy

479
00:28:15,207 --> 00:28:18,358
and as subversive as it is,
because it's so silly

480
00:28:18,407 --> 00:28:21,479
that you don't view it
as being politically incendiary

481
00:28:21,527 --> 00:28:23,677
or anything like that, but it is.

482
00:28:23,727 --> 00:28:27,117
l never thought of Pythons as being
politically ''on the nose''.

483
00:28:27,167 --> 00:28:31,683
Their genius was that they
were wonderfully subversive.

484
00:28:31,727 --> 00:28:35,640
Subversive in the sense
that they would allow their imaginations,

485
00:28:35,687 --> 00:28:40,078
and impulses to take them places
where we hadn't been before.

486
00:28:40,127 --> 00:28:42,083
Don't say the kid's name, Vic.

487
00:28:42,127 --> 00:28:44,482
Francesco Luigi...

488
00:28:48,207 --> 00:28:51,279
We was too late.
The Reverend Nuke saw the light.

489
00:28:51,327 --> 00:28:55,400
They are anti-Establishment because,
of course,

490
00:28:55,447 --> 00:28:57,597
the architects
they're always sending up,

491
00:28:57,647 --> 00:29:00,559
the programme planners
they're always sending up,

492
00:29:00,607 --> 00:29:04,043
the accountants
they've always got it in for.

493
00:29:04,087 --> 00:29:08,922
All those people represented
the kind of deferential society

494
00:29:08,967 --> 00:29:11,720
into which they'd been
introduced by their parents.

495
00:29:11,767 --> 00:29:13,883
Of course, that is finally political.

496
00:29:13,927 --> 00:29:18,398
They've nailed the foibles
and the characters in English society.

497
00:29:18,447 --> 00:29:20,961
lt was a sociological triumph, really.

498
00:29:32,367 --> 00:29:35,439
Oh, l've had such a morning
in the High Court.

499
00:29:35,487 --> 00:29:38,957
l could stamp my little feet
the way those QCs carry on.

500
00:29:39,007 --> 00:29:39,996
Don't l know it, love.

501
00:29:40,047 --> 00:29:42,117
Objection here and objection there,

502
00:29:42,167 --> 00:29:44,761
and that nice policeman
gave his evidence so well.

503
00:29:44,807 --> 00:29:46,525
Beautiful speaking voice.

504
00:29:46,567 --> 00:29:49,001
After a bit, all l could do
was bang my little gavel.

505
00:29:49,047 --> 00:29:51,242
- You what, love?
- l banged me gavel.

506
00:29:51,287 --> 00:29:53,164
l did me ''silence in court'' bit.

507
00:29:53,207 --> 00:29:54,606
Ooh, if looks could kill,

508
00:29:54,647 --> 00:29:57,320
that prosecuting council
would be in for thirty years.

509
00:29:57,367 --> 00:30:00,996
They were anti-Establishment,
but not, l mean...

510
00:30:01,047 --> 00:30:02,605
A lot of the jokes were, again,

511
00:30:02,647 --> 00:30:07,596
this thing about becoming
a little bit more,

512
00:30:07,647 --> 00:30:11,322
not abstract,
but the sort of madness of it.

513
00:30:12,087 --> 00:30:13,679
Come in.

514
00:30:16,647 --> 00:30:19,844
- What do you want?
- l'd like to leave the army, please, sir.

515
00:30:19,887 --> 00:30:21,559
Good heavens, man. Why?

516
00:30:21,607 --> 00:30:24,041
- lt's dangerous.
- What?

517
00:30:24,087 --> 00:30:26,601
- There are people with guns.
- What?

518
00:30:26,647 --> 00:30:30,526
Real guns, sir. Not toy ones, sir,
proper ones, sir. They've all got 'em.

519
00:30:30,567 --> 00:30:33,365
All of 'em, sir.
And some of 'em have got tanks.

520
00:30:33,407 --> 00:30:35,398
Watkins, they are on our side.

521
00:30:35,447 --> 00:30:37,483
And grenades, sir,
and machine guns, sir.

522
00:30:37,527 --> 00:30:40,519
So, l'd like to leave, sir,
before l get killed, please.

523
00:30:40,567 --> 00:30:42,637
You've only been in the army a day.

524
00:30:42,687 --> 00:30:44,837
l know, sir, but people get killed.

525
00:30:44,887 --> 00:30:49,165
Properly dead, sir.
No barley crossed fingers, sir.

526
00:30:49,207 --> 00:30:52,404
A bloke was telling me if you're
in the army and there's a war,

527
00:30:52,447 --> 00:30:54,039
you have to go and fight.

528
00:30:54,087 --> 00:30:56,317
That's true.

529
00:30:56,367 --> 00:31:00,918
Well, l mean, blimey, l mean, if it was
a big war somebody could be hurt.

530
00:31:02,047 --> 00:31:04,083
Watkins, why did you join the army?

531
00:31:04,127 --> 00:31:07,085
For the water-skiing
and for the travel, sir.

532
00:31:07,127 --> 00:31:11,006
You could say things that ordinarily
you wouldn't be able to say,

533
00:31:11,047 --> 00:31:16,758
by having this comic licence,
things that would be unacceptable

534
00:31:16,807 --> 00:31:19,799
if it weren't for the fact that
you were making people laugh.

535
00:31:19,847 --> 00:31:21,883
lt was your ''get out of jail free'' card.

536
00:31:21,927 --> 00:31:22,916
Miss Rita Fairbanks,

537
00:31:22,967 --> 00:31:26,357
you organised this reconstruction
of the Battle of Pearl Harbor. Why?

538
00:31:26,407 --> 00:31:29,763
Well, we've always been extremely
interested in modern drama.

539
00:31:29,807 --> 00:31:33,436
We were, of course,
the first townswomen's guild

540
00:31:33,487 --> 00:31:35,842
to perform Camp On Blood lsland

541
00:31:35,887 --> 00:31:39,846
and last year, of course, we did
an extremely popular re-enactment

542
00:31:39,887 --> 00:31:41,718
of Nazi war atrocities.

543
00:31:41,767 --> 00:31:45,999
So, this year we thought we'd like
to do something in a lighter vein.

544
00:31:46,047 --> 00:31:50,837
l think that Pythons were probably
a little unsophisticated,

545
00:31:50,887 --> 00:31:54,323
so far as the fair sex was concerned.

546
00:31:54,367 --> 00:31:58,645
And, l don't think that we
would have felt very comfortable

547
00:31:58,687 --> 00:32:01,440
writing anything that approached
a genuine love scene.

548
00:32:01,487 --> 00:32:04,365
l think... ''Ooh, dear.
We're English, after all.''

549
00:32:04,407 --> 00:32:06,875
''This isn't emotion, this is sentiment,

550
00:32:06,927 --> 00:32:08,918
''and, therefore, to be despised.''

551
00:32:08,967 --> 00:32:13,006
So, what we wrote
was caricatured stuff,

552
00:32:13,047 --> 00:32:14,560
and, most of the time,

553
00:32:14,607 --> 00:32:18,441
it was the sort of stuff you saw
when you went to a pantomime.

554
00:32:18,487 --> 00:32:20,717
Well, l can see
you're all ready to go,

555
00:32:20,767 --> 00:32:23,327
l'll wish you good luck
in your latest venture.

556
00:32:23,367 --> 00:32:25,119
Thank you very much, young man.

557
00:32:25,167 --> 00:32:28,842
Ladies and gentlemen,
the World of History is proud to present

558
00:32:28,887 --> 00:32:31,162
the premiere
of the Batley Townswomen's Guild

559
00:32:31,207 --> 00:32:34,040
re-enactment of
the Battle of Pearl Harbor.

560
00:32:45,847 --> 00:32:48,566
And if we wrote something
that was about sex,

561
00:32:48,607 --> 00:32:50,404
like the marriage guidance counsellor,

562
00:32:50,447 --> 00:32:53,644
then we brought in Carol Cleveland
who was genuinely sexy.

563
00:32:53,687 --> 00:32:56,440
But, most of the time,
we stayed away from those areas.

564
00:32:56,487 --> 00:32:58,478
Are you the marriage guidance counsellor?

565
00:32:58,527 --> 00:33:00,995
- Yes. Good morning.
- Morning, sir.

566
00:33:02,127 --> 00:33:03,924
And good morning to you, madam.

567
00:33:05,087 --> 00:33:06,566
Name?

568
00:33:06,607 --> 00:33:08,518
Mr and Mrs Arthur Pewtey.

569
00:33:08,567 --> 00:33:10,398
Pewtey.

570
00:33:10,447 --> 00:33:13,803
And what is the name
of your ravishing wife?

571
00:33:13,847 --> 00:33:16,122
Wait. Don't tell me.

572
00:33:16,167 --> 00:33:19,239
lt's something to do with moonlight.
lt goes with her eyes.

573
00:33:19,287 --> 00:33:22,120
lt's soft and gentle,
warm and yielding,

574
00:33:22,167 --> 00:33:26,604
deeply lyrical and yet tender and frightened
like a tiny white rabbit.

575
00:33:26,647 --> 00:33:28,365
lt's Deirdre.

576
00:33:30,007 --> 00:33:32,441
lt was the producer/director
at the time

577
00:33:32,487 --> 00:33:36,162
who took me on to be in only five...

578
00:33:36,207 --> 00:33:38,562
that's all l was meant to be in,
five episodes.

579
00:33:38,607 --> 00:33:42,520
And, by the time we got to the second
or third episode,

580
00:33:42,567 --> 00:33:44,319
the guys decided they liked me a lot.

581
00:33:44,367 --> 00:33:49,282
They thought l fitted in beautifully
and they put their foot down.

582
00:33:49,327 --> 00:33:51,795
l wasn't going to be
in any more episodes.

583
00:33:51,847 --> 00:33:54,600
But they put their big Python foot down
and said,

584
00:33:54,647 --> 00:33:58,083
''No. We want Carol.
We're not having anybody else.''

585
00:33:58,127 --> 00:33:59,924
So, thanks, guys.

586
00:34:01,327 --> 00:34:05,605
Tonight, l want to examine
the whole question

587
00:34:05,647 --> 00:34:08,878
of 18th-century social legislation...

588
00:34:11,927 --> 00:34:15,442
..its relevance
to the hierarchical structure

589
00:34:15,487 --> 00:34:17,842
of post-Renaissance society...

590
00:34:20,727 --> 00:34:25,801
..and its impact on the future
of parochial organisation

591
00:34:25,847 --> 00:34:28,964
in an expanding agrarian economy.

592
00:34:29,007 --> 00:34:32,522
She just was so good
at doing what she did.

593
00:34:33,607 --> 00:34:37,566
And l can never work out
how she does it, but...

594
00:34:37,607 --> 00:34:40,201
Cos everybody could be
so bizarre and strange,

595
00:34:40,247 --> 00:34:43,319
and she would just float
right through it with...

596
00:34:43,367 --> 00:34:46,803
lntegrity's a funny word for Carol,
but there it is.

597
00:34:46,847 --> 00:34:49,998
There's something that's
so solid and she...

598
00:34:50,047 --> 00:34:53,596
There were other girls in the show,
but they never got it right.

599
00:34:53,647 --> 00:34:58,277
They never seemed to get the way
of performing right, and she got it.

600
00:34:58,327 --> 00:35:03,799
To put England's social legislation
in a European context,

601
00:35:03,847 --> 00:35:09,046
is Professor Gert Van Der Whoops
of the Rijksmuseum in the Hague.

602
00:35:09,087 --> 00:35:13,319
She always saw the irony of it.
There was always an extra twist.

603
00:35:13,367 --> 00:35:16,518
She knew what she was sending up
and how she was sending it up.

604
00:35:16,567 --> 00:35:19,365
So, she would play the dumb blonde,
but she was no dumb blonde.

605
00:35:29,767 --> 00:35:31,803
Part of the reason l watched Python,

606
00:35:31,847 --> 00:35:34,315
this is terrible as a comedy fan,

607
00:35:34,367 --> 00:35:39,487
but l watched it for Carol Cleveland
possibly getting her tits out.

608
00:35:39,527 --> 00:35:42,837
You had a good shot at seeing a pair of tits,
even cartoon tits.

609
00:35:42,887 --> 00:35:48,086
They had that woman. Carol Cleveland?
l remember she was sort of sexy.

610
00:35:48,127 --> 00:35:51,756
But no, l was in it
for the songs and the voices.

611
00:35:51,807 --> 00:35:55,277
Cos my interest in it
predated my interest in breasts.

612
00:35:55,327 --> 00:35:56,919
That must be hard for you to imagine.

613
00:35:56,967 --> 00:35:58,844
You find, if you ask all these kids,

614
00:35:58,887 --> 00:36:02,766
the reason they were watching
is cos they had bare breasts on that show.

615
00:36:02,807 --> 00:36:04,718
Sometimes real, even.

616
00:36:04,767 --> 00:36:10,603
A good 40 per cent of why l watched it
was because it was naughty,

617
00:36:10,647 --> 00:36:13,684
and there might be boobs,
which is terrible, really.

618
00:36:19,047 --> 00:36:21,197
What's my favourite sketch?

619
00:36:21,247 --> 00:36:24,478
That's the hardest question
you could ever ask a Python fan.

620
00:36:24,527 --> 00:36:27,883
Favourite Monty Python sketch...

621
00:36:27,927 --> 00:36:30,043
- Man!
- Monty Python.

622
00:36:30,087 --> 00:36:31,406
l'd have to think.

623
00:36:38,847 --> 00:36:40,121
God, that's tricky.

624
00:36:40,167 --> 00:36:42,920
lf l had a favourite sketch...

625
00:36:42,967 --> 00:36:44,685
What would that be?

626
00:36:44,727 --> 00:36:45,955
l'd have a top ten.

627
00:36:46,007 --> 00:36:47,725
The Mr Hilter sketch.

628
00:36:47,767 --> 00:36:50,725
The fact that Hitler got away
and is living in Minehead.

629
00:36:50,767 --> 00:36:53,235
And, over here, is Mr Hilter.

630
00:36:56,407 --> 00:36:57,601
Good afternoon.

631
00:36:57,647 --> 00:37:00,081
Planning a little excursion,
Mr Hilter?

632
00:37:00,127 --> 00:37:02,687
Ja. Ja. We make a little...

633
00:37:04,207 --> 00:37:05,606
- Hike.
- Hiking.

634
00:37:05,647 --> 00:37:08,366
We make a little hike for Bideford.

635
00:37:08,407 --> 00:37:11,479
Oh, well, you'll be wanting
the A39 there.

636
00:37:11,527 --> 00:37:15,236
No. No. You've got the wrong map there.
This is Stalingrad.

637
00:37:15,727 --> 00:37:19,515
You want the llfracombe
and Barnstaple section.

638
00:37:19,567 --> 00:37:22,445
Reginald.
You have the wrong map here,

639
00:37:22,487 --> 00:37:25,081
you silly old leg-before-wicket
English person.

640
00:37:25,127 --> 00:37:27,800
l'm sorry. Sorry, mein Fuhrer,
l did not...

641
00:37:27,847 --> 00:37:30,122
Mein dickie old chum.

642
00:37:30,167 --> 00:37:32,556
Lucky Mr Johnson
pointed that out, eh?

643
00:37:32,607 --> 00:37:35,485
You wouldn't have had much fun
in Stalingrad.

644
00:37:36,647 --> 00:37:39,241
lf you say, ''Pick one
and put it in the time capsule''

645
00:37:39,287 --> 00:37:40,959
it would have to be the Parrot.

646
00:37:41,007 --> 00:37:43,202
''l wish to register a complaint.''

647
00:37:44,247 --> 00:37:48,081
You know, l mean,
we've all met them, haven't we?

648
00:37:48,127 --> 00:37:50,846
Hello.
l wish to register a complaint.

649
00:37:50,887 --> 00:37:52,286
Hello, Miss.

650
00:37:52,327 --> 00:37:55,239
What you mean ''Miss''?

651
00:37:55,287 --> 00:37:58,404
Oh, l'm sorry. l have a cold.
l wish to make a complaint.

652
00:37:58,447 --> 00:38:00,483
- We're closing for lunch.
- Never mind that.

653
00:38:00,527 --> 00:38:02,995
l wish to complain about this parrot
what l purchased

654
00:38:03,047 --> 00:38:05,402
not half an hour ago
from this very boutique.

655
00:38:05,447 --> 00:38:07,324
The Norwegian Blue.
What's wrong with it?

656
00:38:07,367 --> 00:38:10,962
l'll tell you what's wrong.
lt's dead, that's what's wrong with it.

657
00:38:11,007 --> 00:38:16,081
That humour of deniability
and just the stubbornness,

658
00:38:16,127 --> 00:38:19,085
the way Palin plays it,
it's just fantastic, fantastic.

659
00:38:19,127 --> 00:38:20,958
No. No. lt's resting. Look.

660
00:38:21,007 --> 00:38:25,762
Look, my lad. l know a dead parrot when
l see one and l'm looking at one right now.

661
00:38:25,807 --> 00:38:28,275
- No. lt's not dead. lt's resting.
- Resting?

662
00:38:28,327 --> 00:38:32,002
Yeah. Remarkable bird, the
Norwegian Blue. Beautiful plumage, innit?

663
00:38:32,047 --> 00:38:35,278
The plumage don't enter into it.
lt's stone dead.

664
00:38:35,327 --> 00:38:36,442
No. No. lt's resting.

665
00:38:37,207 --> 00:38:38,765
All right, then.

666
00:38:38,807 --> 00:38:41,275
lf it's resting l'll wake it up.

667
00:38:41,327 --> 00:38:42,919
Hello, Polly.

668
00:38:42,967 --> 00:38:46,437
l've got a nice cuttlefish for you
when you wake up, Polly Parrot.

669
00:38:46,487 --> 00:38:48,921
- There, it moved.
- No, it didn't.

670
00:38:48,967 --> 00:38:54,280
Just after l married Connie,
beginning of '68,

671
00:38:54,327 --> 00:38:56,636
we did a show called
How To lrritate People,

672
00:38:56,687 --> 00:39:00,282
and we wrote a sketch
about a second-hand car salesman

673
00:39:00,327 --> 00:39:05,720
that was quite cliche, but it was based
on a guy called Mr Gibbins,

674
00:39:05,767 --> 00:39:09,521
who Michael Palin
used to buy cars from.

675
00:39:09,567 --> 00:39:14,197
Michael would ring him up
and say the gearbox is sticky.

676
00:39:14,247 --> 00:39:16,397
Mr Gibbins would say,
''A quality car.

677
00:39:16,447 --> 00:39:19,359
''You always get a sticky gearbox
inside of a quality car.''

678
00:39:19,407 --> 00:39:21,796
A completely slippery person.

679
00:39:21,847 --> 00:39:25,476
We wrote a second-hand car sketch
and then, years later,

680
00:39:25,527 --> 00:39:28,803
looked at it and l said,
''There's something about this l like.''

681
00:39:28,847 --> 00:39:31,998
And we decided that the thing
was to change into an animal.

682
00:39:32,047 --> 00:39:35,084
We had a bit of a discussion
about if it was a dog or a parrot.

683
00:39:35,127 --> 00:39:37,800
ln the end, we just thought
the parrot was funnier.

684
00:39:37,847 --> 00:39:41,362
Look, my lad.
l've had just about enough of this.

685
00:39:41,407 --> 00:39:43,921
That parrot is definitely deceased.

686
00:39:43,967 --> 00:39:46,083
And when l bought it
not half an hour ago,

687
00:39:46,127 --> 00:39:49,881
you assured me that its lack of movement
was due to it being tired

688
00:39:49,927 --> 00:39:52,316
and shagged out after a long squawk.

689
00:39:53,207 --> 00:39:56,597
Gray and l used to write
out of the thesaurus all the time.

690
00:39:56,647 --> 00:40:00,925
lf we couldn't think of something, l'd flip
through the thesaurus and shout out words.

691
00:40:00,967 --> 00:40:02,719
Plummet.

692
00:40:02,767 --> 00:40:03,882
Cardigan.

693
00:40:03,927 --> 00:40:07,203
And, sometimes, we would go...
And we'd be off.

694
00:40:07,247 --> 00:40:09,044
Most the time, of course.

695
00:40:09,087 --> 00:40:10,725
And, so, l just looked up ''Dead'',

696
00:40:10,767 --> 00:40:15,443
and there was this extraordinary,
wonderful list of synonyms for dead

697
00:40:15,487 --> 00:40:16,886
and we started to write it.

698
00:40:16,927 --> 00:40:19,999
This parrot is no more.

699
00:40:20,047 --> 00:40:22,402
lt has ceased to be.

700
00:40:22,447 --> 00:40:26,326
lt's expired and gone to meet its maker.

701
00:40:26,367 --> 00:40:28,642
This is a late parrot.

702
00:40:29,447 --> 00:40:32,598
One of the sketches where
l remember being really amused,

703
00:40:32,647 --> 00:40:34,558
and thinking, ''Wow, this was really cheeky'',

704
00:40:34,607 --> 00:40:38,759
is the one where there appears to be
a TV game show,

705
00:40:38,807 --> 00:40:40,638
centred around blackmail.

706
00:40:40,687 --> 00:40:43,724
Hello, good evening
and welcome to Blackmail.

707
00:40:43,767 --> 00:40:47,760
To start tonight's programme,
we go north to Preston in Lancashire,

708
00:40:47,807 --> 00:40:49,559
and Mrs Betty Teal.

709
00:40:49,607 --> 00:40:51,404
Hello, Mrs Teal.

710
00:40:52,407 --> 00:40:54,716
Now, this is for 15 pounds,

711
00:40:54,767 --> 00:40:59,966
and it's to stop us revealing
the name of your lover in Bolton.

712
00:41:00,007 --> 00:41:04,558
They show some footage
of two people having an affair,

713
00:41:04,607 --> 00:41:06,916
shot on a grainy camera
through a window,

714
00:41:06,967 --> 00:41:09,606
and say if you don't call soon

715
00:41:09,647 --> 00:41:12,115
and donate money,
then we'll show the rest of it.

716
00:41:12,167 --> 00:41:14,920
Hello, sir. Hello. Yes.

717
00:41:14,967 --> 00:41:17,481
No, sir. l'm sure you didn't.
lt's all right, sir.

718
00:41:17,527 --> 00:41:20,519
We don't morally censure,
we just want the money.

719
00:41:20,567 --> 00:41:23,240
l just remember that being
really amazing to me,

720
00:41:23,287 --> 00:41:27,758
because l'd never seen anyone
explode the conventions of TV before.

721
00:41:27,807 --> 00:41:31,482
l thought that was...
l mean, even though l came to it late,

722
00:41:31,527 --> 00:41:35,315
l'd never really seen someone
mocking television before.

723
00:41:35,367 --> 00:41:38,996
That just seemed really outrageous to me.
Really naughty, you know.

724
00:41:39,047 --> 00:41:41,720
And kind of saucy and quite adult.

725
00:41:41,767 --> 00:41:44,235
l remember that seeming
quite exciting in a way.

726
00:41:44,287 --> 00:41:47,006
Not at all, sir. Thank you.

727
00:41:47,047 --> 00:41:49,117
The eruption of the lnquisition
into the room

728
00:41:49,167 --> 00:41:53,399
and the torture by a comfy armchair,
that still makes me laugh.

729
00:41:53,447 --> 00:41:54,562
l love that.

730
00:41:54,607 --> 00:41:58,395
So, you think you are strong
because you can survive the soft cushions?

731
00:41:59,407 --> 00:42:02,046
Well, we shall see.

732
00:42:02,087 --> 00:42:05,523
Biggles! Put her in the comfy chair.

733
00:42:07,767 --> 00:42:08,836
Now...

734
00:42:09,567 --> 00:42:12,286
You will stay in the comfy chair
until lunch time,

735
00:42:12,327 --> 00:42:14,522
with only a cup of coffee at eleven.

736
00:42:14,567 --> 00:42:16,523
- ls that really all it is?
- Yes, lord.

737
00:42:16,567 --> 00:42:17,602
l see.

738
00:42:17,647 --> 00:42:19,877
l suppose we make it worse
by shouting a lot?

739
00:42:23,847 --> 00:42:25,678
Confess, woman.

740
00:42:25,727 --> 00:42:27,126
Confess.

741
00:42:27,167 --> 00:42:29,681
Confess. Confess.

742
00:42:29,727 --> 00:42:30,876
Confess!

743
00:42:30,927 --> 00:42:32,326
l confess!

744
00:42:32,367 --> 00:42:33,482
Not you.

745
00:42:33,527 --> 00:42:35,563
l like the one where he goes in...

746
00:42:35,607 --> 00:42:38,883
lsn't it he goes into a shop
and it's all about being a spy?

747
00:42:38,927 --> 00:42:41,646
Wasn't there one where
it's all supposed to be passwords

748
00:42:41,687 --> 00:42:43,279
and the guy has no idea
what he's talking about?

749
00:42:43,327 --> 00:42:46,637
l hear the gooseberries
are doing well this year.

750
00:42:46,687 --> 00:42:48,518
And so are the mangoes.

751
00:42:50,807 --> 00:42:51,796
l'm sorry?

752
00:42:52,847 --> 00:42:55,919
Oh, l was just saying,
thinking of the weather,

753
00:42:55,967 --> 00:42:59,277
l hear the gooseberries
are doing well this year,

754
00:42:59,327 --> 00:43:01,841
and so are the mangoes.

755
00:43:01,887 --> 00:43:04,845
- Mine aren't.
- Go on.

756
00:43:04,887 --> 00:43:06,559
- What?
- Go on. Mine aren't but...

757
00:43:07,327 --> 00:43:08,316
What?

758
00:43:08,367 --> 00:43:11,757
You say, mine aren't, but the big cheese
gets his at low tide tonight.

759
00:43:11,807 --> 00:43:14,037
No.

760
00:43:14,087 --> 00:43:15,406
Oh. Ah, good morning.

761
00:43:15,447 --> 00:43:16,436
Wait.

762
00:43:16,487 --> 00:43:20,002
And it's all code words and there's people
with, l don't know,

763
00:43:20,047 --> 00:43:22,561
it's probably Cleese
in a sort of trench coat,

764
00:43:22,607 --> 00:43:25,326
and everyone's looking like a spy
and he's not.

765
00:43:25,367 --> 00:43:28,803
How much do you know? Are you
from the British Dental Association?

766
00:43:28,847 --> 00:43:30,838
- l'm a tobacconist.
- Get away from that door.

767
00:43:30,887 --> 00:43:32,878
- l'll go over the other...
- Stay where you are.

768
00:43:32,927 --> 00:43:35,760
- You'll never leave this bookshop alive.
- Why not?

769
00:43:35,807 --> 00:43:38,082
You know too much, my dental friend.

770
00:43:38,127 --> 00:43:41,278
- l don't know anything.
- Come clean. You're a dentist.

771
00:43:41,327 --> 00:43:42,726
No. l'm a tobacconist.

772
00:43:42,767 --> 00:43:47,557
A tobacconist who just happens to be
buying a book on teeth.

773
00:43:47,607 --> 00:43:49,484
My favourite sketch is a strange one.

774
00:43:49,527 --> 00:43:52,997
lt's the one where Graham and John
are watching television

775
00:43:53,047 --> 00:43:54,878
and there's a penguin
on top of the TV.

776
00:43:54,927 --> 00:43:58,317
Funny that penguin being there, innit?

777
00:43:58,367 --> 00:43:59,595
What's it doing there?

778
00:43:59,647 --> 00:44:01,797
- Standing.
- l can see that.

779
00:44:01,847 --> 00:44:05,726
lt's brilliant, because for the level of hilarity
they were getting across

780
00:44:05,767 --> 00:44:07,359
they were very good at not laughing.

781
00:44:07,407 --> 00:44:11,958
Penguins don't come from next door,
they come from the Antarctic.

782
00:44:12,007 --> 00:44:15,158
But, in that one sketch,
l think Graham Chapman shouts...

783
00:44:15,207 --> 00:44:16,435
Burma.

784
00:44:16,487 --> 00:44:17,966
..and then has to turn away.

785
00:44:20,207 --> 00:44:22,118
- Why did you say Burma?
- l panicked.

786
00:44:24,247 --> 00:44:28,206
And l just remember watching it
as a 15-year-old kid,

787
00:44:28,247 --> 00:44:32,445
just loving the fact that they found it funny
and they were enjoying it.

788
00:44:32,487 --> 00:44:34,955
And seeing them having
such enormous fun,

789
00:44:35,007 --> 00:44:38,204
just dressing up as old women
and being utterly batty.

790
00:44:38,247 --> 00:44:40,761
- Lions don't moult.
- No, but penguins do.

791
00:44:40,807 --> 00:44:43,162
There, l run rings round you logically.

792
00:44:43,207 --> 00:44:46,119
Oh, intercourse the penguin.

793
00:44:50,767 --> 00:44:52,246
lt's just gone eight o'clock

794
00:44:52,287 --> 00:44:55,199
and time for the penguin
on top of your television set to explode.

795
00:44:57,967 --> 00:45:02,643
l really like that one where
Graham Chapman goes into a shop.

796
00:45:02,687 --> 00:45:05,679
He goes, ''Oh, hello, Mr Luxury Yacht.''

797
00:45:05,727 --> 00:45:08,287
And he says,
''Oh, no, it's spelt Luxury Yacht,

798
00:45:08,327 --> 00:45:10,841
''but it's pronounced
'Throatwobbler Mangrove'.''

799
00:45:10,887 --> 00:45:13,117
l have with me in the studio tonight,

800
00:45:13,167 --> 00:45:18,321
one of the country's leading skin specialists,
Raymond Luxury Yacht.

801
00:45:18,367 --> 00:45:19,356
That's not my name.

802
00:45:21,167 --> 00:45:23,886
l'm sorry. Raymond Luxury Yacht.

803
00:45:23,927 --> 00:45:26,760
No, no, no.
lt's spelt ''Raymond Luxury Yacht'',

804
00:45:26,807 --> 00:45:29,685
but it's pronounced
''Throatwobbler Mangrove''.

805
00:45:29,727 --> 00:45:33,561
The joy of ''Fucking hell,
that sounds amazing.

806
00:45:33,607 --> 00:45:36,246
'''Throatwobbler Mangrove',
what does that mean?

807
00:45:36,287 --> 00:45:40,166
''What could that ever mean?
And it's spelt Luxury Yacht.''

808
00:45:40,207 --> 00:45:41,196
l like that.

809
00:45:43,367 --> 00:45:46,962
You're a very silly man
and l'm not going to interview you.

810
00:45:47,007 --> 00:45:49,077
- Anti-Semitism.
- Not at all.

811
00:45:49,127 --> 00:45:53,120
lt's not even a proper nose.
lt's polystyrene.

812
00:45:53,167 --> 00:45:56,045
- Give me my nose back.
- You can collect it at reception.

813
00:45:56,087 --> 00:45:57,759
- l want to be on television.
- You can't.

814
00:45:57,807 --> 00:46:00,275
There is a such a thing
as a classical sketch.

815
00:46:00,327 --> 00:46:03,478
The other one is the slapstick one
with the custard tarts.

816
00:46:03,527 --> 00:46:07,884
First, the simple,
straightforward offensive deposit.

817
00:46:23,647 --> 00:46:24,716
Second...

818
00:46:25,727 --> 00:46:29,163
Second, the simple sideways
offensive deposit.

819
00:46:40,927 --> 00:46:44,761
Next, the simple surprise deposit.

820
00:46:49,607 --> 00:46:52,963
l remember them first doing that
up at Edinburgh, l guess,

821
00:46:53,007 --> 00:46:55,396
and it had me rolling in the aisles.

822
00:46:56,407 --> 00:46:57,806
And it still does.

823
00:47:04,767 --> 00:47:08,396
l remember in the Piranha brothers
where he goes,

824
00:47:08,447 --> 00:47:12,486
''They called a week later,
said l bought one of their fruit machines,

825
00:47:12,527 --> 00:47:14,757
''and will l pay for it?''

826
00:47:14,807 --> 00:47:16,035
How much did they want?

827
00:47:16,087 --> 00:47:17,805
''Three-quarters of a million pounds.''

828
00:47:17,847 --> 00:47:19,963
Why didn't you call for the police?

829
00:47:20,007 --> 00:47:23,841
''The bloke with the thermonuclear device
was the chief constable for the area.''

830
00:47:23,887 --> 00:47:27,926
Anyway, a week later they come back,

831
00:47:27,967 --> 00:47:32,438
said the cheque had bounced
and that l had to see Doug.

832
00:47:32,487 --> 00:47:34,557
''Doug.'' He pours a glass of water.

833
00:47:41,167 --> 00:47:42,316
''l was terrified.''

834
00:47:43,407 --> 00:47:45,318
Everyone was terrified of Doug.

835
00:47:45,367 --> 00:47:47,722
''l've seen men pull their heads off
rather than see Doug.''

836
00:47:47,767 --> 00:47:50,076
Even Dinsdale was frightened of Doug.

837
00:47:50,127 --> 00:47:51,276
What did he do?

838
00:47:51,327 --> 00:47:54,125
''He used sarcasm.

839
00:47:54,167 --> 00:47:55,395
''He knew all the tricks.''

840
00:47:55,447 --> 00:47:57,278
- Dramatic irony.
- ''Metaphor, bathos.''

841
00:47:57,327 --> 00:47:59,602
Puns, parody, litotes.

842
00:47:59,647 --> 00:48:02,764
- ''Hyperbole.''
- And satire.

843
00:48:02,807 --> 00:48:04,399
''He was vicious.''

844
00:48:05,327 --> 00:48:06,885
That sums up what they did.

845
00:48:06,927 --> 00:48:10,556
Good afternoon,
and welcome to Hurlingham Park.

846
00:48:10,607 --> 00:48:14,998
You join us just as the competitors
are running out onto the field,

847
00:48:15,047 --> 00:48:17,481
on this lovely
winter's afternoon here,

848
00:48:17,527 --> 00:48:20,803
with the going firm underfoot
and very little sign of rain.

849
00:48:20,847 --> 00:48:23,805
l would probably have to go for
Upper-Class Twit of the Year,

850
00:48:23,847 --> 00:48:27,157
because it was so...accurate.

851
00:48:27,207 --> 00:48:31,086
Vivian Smith-Smythe-Smith
has O level in kennel hygiene.

852
00:48:31,127 --> 00:48:35,325
Simon Zinc-Trumpet-Harris,
married to a very attractive table lamp.

853
00:48:35,367 --> 00:48:38,598
lt was good that they poked fun at,

854
00:48:38,647 --> 00:48:42,003
you know, the sort of the upper classes,
the Establishment.

855
00:48:42,047 --> 00:48:44,003
Gervais Brook-Hamster.
He's in the Guards

856
00:48:44,047 --> 00:48:46,607
and his father uses him
as a wastepaper basket.

857
00:48:46,647 --> 00:48:49,605
And finally Oliver St John Mollusc,
Harrow and the Guards,

858
00:48:49,647 --> 00:48:52,844
thought by many to be this year's
outstanding Twit.

859
00:48:53,887 --> 00:48:57,357
That was less sketch,
more documentary.

860
00:48:57,407 --> 00:48:58,635
l've met people like that.

861
00:48:58,687 --> 00:49:02,566
And now they're coming into
their first test, the straight line.

862
00:49:02,607 --> 00:49:05,565
They've got to walk along this straight line
without falling over.

863
00:49:05,607 --> 00:49:07,518
And Oliver's over at the back there.

864
00:49:07,567 --> 00:49:10,240
Simon's coming through quite fast
on the outside.

865
00:49:10,287 --> 00:49:12,596
Simon and Nigel,
both coming very fast.

866
00:49:12,647 --> 00:49:15,081
No, there's Nigel,
l'm sorry, and on the outside

867
00:49:15,127 --> 00:49:17,402
there's Gervais, just out of shot...

868
00:49:17,447 --> 00:49:18,436
lf you had to pick one,

869
00:49:18,487 --> 00:49:22,639
and go, ''This explains
the ethos of what they're about,''

870
00:49:22,687 --> 00:49:25,565
l would go with that,
Upper-Class Twit of the Year.

871
00:49:25,607 --> 00:49:29,520
Three layers of matchboxes to clear,
and Simon's over!

872
00:49:29,567 --> 00:49:31,125
Vivian's over beautifully.

873
00:49:31,167 --> 00:49:34,000
A jump of a lifetime.
lf only his father could understand.

874
00:49:34,047 --> 00:49:37,323
Here's Nigel...
No, and Gervais is over.

875
00:49:37,367 --> 00:49:39,835
Nigel's... Nigel...

876
00:49:39,887 --> 00:49:43,516
The Lumberjack Song
is a wonderful theme...

877
00:49:43,567 --> 00:49:46,400
lt's great,
some of the live performances.

878
00:49:46,447 --> 00:49:49,484
- How would you like it?
- Short back and sides, please.

879
00:49:49,527 --> 00:49:53,042
- How do you do that?
- Ordinary short back and sides.

880
00:49:53,087 --> 00:49:55,726
lt's not a razor cut.

881
00:49:55,767 --> 00:49:58,565
Razor, razor, razor...
cut, blood, spurt, artery, murder!

882
00:49:58,607 --> 00:50:02,566
The Lumberjack Song
totally came out of a sketch

883
00:50:02,607 --> 00:50:04,996
that we were writing
about a barbershop,

884
00:50:05,047 --> 00:50:07,607
and we just couldn't
think how to end it.

885
00:50:07,647 --> 00:50:09,638
l'm going to cut your hair, sir.

886
00:50:11,087 --> 00:50:13,726
l'm going to start
cutting your hair, sir.

887
00:50:13,767 --> 00:50:15,166
Start cutting. Now.

888
00:50:18,567 --> 00:50:19,716
Nice day, sir?

889
00:50:19,767 --> 00:50:22,406
Yes, the flowers could do
with a drop of rain though.

890
00:50:22,447 --> 00:50:24,403
You see the match last night, sir?

891
00:50:24,447 --> 00:50:25,926
Yeah, good game l thought.

892
00:50:25,967 --> 00:50:28,083
l thought Hurst played well, sir.

893
00:50:28,127 --> 00:50:31,005
- l beg your pardon?
- l thought Hurst played well, sir.

894
00:50:31,047 --> 00:50:32,924
Oh, yes, only one who did though.

895
00:50:32,967 --> 00:50:35,800
- Put your head down a little.
- Oh, sorry.

896
00:50:35,847 --> 00:50:38,486
l prefer to watch Palace nowadays.

897
00:50:38,527 --> 00:50:40,279
Oh, sorry, was that your ear?

898
00:50:40,327 --> 00:50:44,206
No, no, didn't feel a thing.
What's going on?

899
00:50:44,247 --> 00:50:48,559
And l think l said, after you know,
we were absolutely stuck,

900
00:50:48,607 --> 00:50:52,600
it was the end of the day and we really
wanted to go and have a beer,

901
00:50:52,647 --> 00:50:55,161
and l said
''Why don't we just end with a song?''

902
00:50:55,207 --> 00:50:58,483
You know, that's how they
used to end Music Hall routines,

903
00:50:58,527 --> 00:51:00,757
if they couldn't get an ending,
they'd end with a song.

904
00:51:00,807 --> 00:51:02,923
l didn't want to be a barber anyway.

905
00:51:04,327 --> 00:51:06,966
l wanted to be a lumberjack.

906
00:51:07,007 --> 00:51:08,440
Leaping from tree to tree

907
00:51:08,487 --> 00:51:11,797
as they float down the mighty rivers
of British Columbia.

908
00:51:11,847 --> 00:51:14,441
The giant redwood, the larch,

909
00:51:14,487 --> 00:51:17,843
the fir, the mighty Scots pine.

910
00:51:17,887 --> 00:51:20,276
The smell of fresh-cut timber.

911
00:51:20,327 --> 00:51:25,606
The crash of mighty trees.
With my best girlie by my side.

912
00:51:26,647 --> 00:51:29,844
We'd sing, sing, sing.

913
00:51:31,567 --> 00:51:33,876
l'm a lumberjack and l'm OK

914
00:51:33,927 --> 00:51:36,361
l sleep all night, l work all day

915
00:51:36,407 --> 00:51:38,967
He's a lumberjack and he's OK

916
00:51:39,007 --> 00:51:41,396
He sleeps all night and he works all day

917
00:51:41,447 --> 00:51:45,918
And then l have blank,
l cannot remember,

918
00:51:45,967 --> 00:51:49,562
l don't know whether Mike can,
how we came up with a lumberjack,

919
00:51:49,607 --> 00:51:51,757
but it was written
in about 20 minutes.

920
00:51:51,807 --> 00:51:56,517
He cuts down trees, he eats his lunch,
he goes to the lavatory

921
00:51:56,567 --> 00:52:01,243
On Wednesdays he goes shopping
and has buttered scones for tea

922
00:52:01,287 --> 00:52:03,562
l think we then rang up the group

923
00:52:03,607 --> 00:52:06,883
who organised the music
on the Python shows,

924
00:52:06,927 --> 00:52:12,763
and hummed the tune to him
and he set it to music.

925
00:52:12,807 --> 00:52:14,001
Then we had a beer.

926
00:52:14,047 --> 00:52:18,802
l cut down trees, l skip and jump,
l like to press wild flowers

927
00:52:18,847 --> 00:52:24,046
l put on women's clothing
and hang around in bars

928
00:52:24,087 --> 00:52:29,002
He cuts down trees, he skips and jumps,
he likes to press wild flowers

929
00:52:29,047 --> 00:52:34,041
He puts on women's clothing
and hangs around in bars

930
00:52:34,087 --> 00:52:39,764
l like how they, the chorus,
gradually become disgruntled and reject it.

931
00:52:39,807 --> 00:52:43,163
They're going along with it,
like that, that's what l like,

932
00:52:43,207 --> 00:52:47,917
''What? No! We've been cajoled
into agreeing with a lifestyle

933
00:52:47,967 --> 00:52:49,161
''that we would condemn.

934
00:52:49,207 --> 00:52:51,277
''This isn't
what a lumberjack's about.''

935
00:52:51,327 --> 00:52:56,242
l cut down trees, l wear high heels,
suspenders and a bra

936
00:52:56,287 --> 00:53:01,486
l wish l'd been a girlie,
just like my dear mama

937
00:53:01,527 --> 00:53:03,518
Oh, Bevis!

938
00:53:03,567 --> 00:53:06,081
And l thought you were so rugged!

939
00:53:08,927 --> 00:53:12,158
''Dear Sir, l wish to complain
in the strongest possible terms

940
00:53:12,207 --> 00:53:14,243
''about the song which
you have just broadcast,

941
00:53:14,287 --> 00:53:16,960
''about the lumberjack
who wears women's clothes.

942
00:53:17,007 --> 00:53:20,522
''Many of my best friends are lumberjacks
and only a few of them are transvestites.

943
00:53:22,207 --> 00:53:25,483
''Yours faithfully, Brigadier
Sir Charles Arthur Strong (Mrs).

944
00:53:27,007 --> 00:53:30,761
''PS, l have never kissed the editor
of the Radio Times.''

945
00:53:30,807 --> 00:53:35,164
lf you're an anarchic
but intelligent bunch of people,

946
00:53:35,207 --> 00:53:37,926
you're going to run into trouble
with the authorities,

947
00:53:37,967 --> 00:53:41,482
particularly since
sending up the authorities

948
00:53:41,527 --> 00:53:44,644
is one of the routes of your humour.

949
00:53:44,687 --> 00:53:49,238
One of the authorities they ran
into difficulties with immediately

950
00:53:49,287 --> 00:53:52,677
was the BBC, the very people
who were putting them on.

951
00:53:52,727 --> 00:53:56,003
We were quite grumpy, l suppose,
with the BBC.

952
00:53:56,047 --> 00:53:58,402
We appreciated
being able to do the show,

953
00:53:58,447 --> 00:54:01,484
but everything else
had been closed in fairly tightly.

954
00:54:01,527 --> 00:54:04,405
l remember Terry Gilliam,
they paid him so little

955
00:54:04,447 --> 00:54:06,244
that he couldn't afford an assistant,

956
00:54:06,287 --> 00:54:08,801
so he had to do absolutely
everything himself.

957
00:54:08,847 --> 00:54:11,759
This was one of the early
points of contention,

958
00:54:11,807 --> 00:54:15,436
because he was doing great stuff
but no one was acknowledging it.

959
00:54:15,487 --> 00:54:19,685
Panorama will be returning
introduced as usual by Tony Jacklin

960
00:54:19,727 --> 00:54:22,287
and Lulu will be tackling
the Old Man of Hoy.

961
00:54:23,327 --> 00:54:26,683
For those of you who prefer drama,
there's sport.

962
00:54:26,727 --> 00:54:30,322
Early battles were to do
with scheduling...

963
00:54:30,367 --> 00:54:32,483
The show went out late anyway.

964
00:54:32,527 --> 00:54:34,245
There was a feeling in the BBC

965
00:54:34,287 --> 00:54:37,962
that young people
should not see this show.

966
00:54:38,007 --> 00:54:40,362
We didn't mind so much,
we accepted that,

967
00:54:40,407 --> 00:54:43,046
but then it would be
taken off for three weeks.

968
00:54:43,087 --> 00:54:45,885
You don't mind being bumped on
for something important

969
00:54:45,927 --> 00:54:50,398
or an outbreak of World War Three,
but Crufts Dog Show, give me a break.

970
00:54:50,447 --> 00:54:53,883
They would change the time,
pull us off, all of those things.

971
00:54:53,927 --> 00:54:57,476
You can be mucked about by schedules
but you've got to get used to that,

972
00:54:57,527 --> 00:55:00,644
you've got to produce a programme
that people want on.

973
00:55:00,687 --> 00:55:03,884
Python was establishing itself
as a sort of cult show,

974
00:55:03,927 --> 00:55:05,804
and only later did we kind of realise

975
00:55:05,847 --> 00:55:08,680
how many people at university
were sort of cramming in...

976
00:55:08,727 --> 00:55:12,606
Whatever, you know, time it was on,
they would sit and watch this show,

977
00:55:12,647 --> 00:55:13,636
you had to watch it.

978
00:55:13,687 --> 00:55:17,521
The fact that some weeks it wasn't there,
other weeks a different time,

979
00:55:17,567 --> 00:55:20,206
that was testing your loyalty
to the programme.

980
00:55:20,247 --> 00:55:22,363
So, l think we built up a lot of people

981
00:55:22,407 --> 00:55:25,479
who were jolly well going to see Python
whatever the BBC did with it.


